Alphabet of Elections was curated around the Israeli national elections of 2015 and developed in collaboration with the Alef Alef Alef type foundry. The exhibition treated the political moment as a way into a longer visual history: twenty-two designers, illustrators, and typographers were each assigned a historical election propaganda poster from Israel's archive - one for each letter of the Hebrew alphabet - and asked to produce a contemporary reinterpretation.

The result was both a typology and an argument: that political graphic design is a continuous tradition with its own visual genealogy, that the propaganda poster has a longer afterlife than the election it was made for, and that reinterpretation is a form of close reading. The exhibition combined architecture, design, art, and animation, with several of the works extending into moving image.

The show was held at the Heder Gallery in Tel Aviv and was one of Limor's earliest fully developed independent curatorial projects. It marked the beginning of a longer working relationship with Alef Alef Alef, which Limor would continue with Pencil at Gan Ya'akov the following year.